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“I knew I had a centrepiece, I knew how it was all going to sound,” he says. “Tides,” featuring Chicagoan singer and poet Jamila Woods, acted as a catalyst, and the album began to click into place around it. The album also came into focus as he sought refuge on solo adventures into nature, away from the shutdowns and wild fires and into the blazing California desert. Musical themes began to arise through Green’s exploration of modular synthesis, recordings he had made of harpist Lara Somogyi, his work with arranger and string player Miguel Atwood-Ferguson, his own playing of the Fender Rhodes and more, as the album was created, recorded and mixed by Green over the past two years. The constantly-touring Green creates best while on the move the global shutdown forced him to stand still. Coaxing the ideas out initially took some hard work.
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The ballads are perfectly placed throughout they capture a world in flux and glow with hope.
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Born first out of fragments of ideas and experimentation, the album ultimately was fused together in a burst of creativity fuelled by both collaboration and Green’s escape into the wild.įragments is a series of 12 sonic affirmations, featuring some of the hardest and most hip-shaking grooves that Green has ever created. The album features Jamila Woods, Joji, Kadhja Bonet, Jordan Rakei, O’Flynn and Miguel Atwood-Ferguson. It’s no surprise that it’s also his masterpiece. Fragments is the most emotionally intense record that he - aka Simon Green - has ever had to make.